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G "T" W's Intestine, Funf | XXI |

W converges on the puzzle. 

What I talked about as the pictoral reality of how the small figures are rendered is not due to their form, incomplete, merely suggestive, but to the magisterial way that the "light" plays on them to provide dimension and depth.  And what is this light but strokes of the various colors applied?  As puzzlers know,  it is often not easy to find a puzzle piece of a color that one sees as blue-grey, but which, obscured in a field of randomly colored pieces appears almost to have no color at all.  It is also always surprising when any shade whatsoever, once in place, becomes "the light on the color" and not the color itself.  

I think Goethe got things a little muddied up in his Theory of Colours (which I have only dipped into briefly in the past), as Wittgenstein notes too, in that Goethe conflates some principles from physical science and some from psychology creating paradoxes where a  more Einsteinian color relativity might have been proposed.  When I note that a beige is the highlight of a dark brown surface does it then become light brown, or is the rest of the surface dark beige? Or why should we care, once noted?

From Ludwig's Remarks on Colour  in my today's reading, I found  W describing the same things as my last post, but better of course. My comments in brackets.  And it seemed somewhat uncanny, as Joculum noted about W, that he could capture a real experience I was having, as a specific example for his theoretical proposition:

"60. Imagine a painting cut up into small, almost monochromatic bits which are then used as pieces in a jig-saw puzzle. [I don't have to imagine, since pieces are on hand]  Even when such a piece is not monochromatic it should not indicate any three-dimensional shape, but should appear as a flat colour-patch. [Most puzzle pieces this small do]  Only together with the other pieces does it become a bit of blue sky, a shadow, a high-light, transparent or opaque, etc. Do the individual pieces show us the real colors of the parts of the picture?"

Yes they show the colors of physical science (well, in the right light they would).  They however do not show the psychological application of the colors in the context of the painting.  Therein lies the genius of the artist.

Comments

( 2 comments — Leave a comment )
dyvyd
Feb. 13th, 2009 09:26 pm (UTC)
What does the GW stand for in the heading? Hmmm, let's say it stands for George Washington, and surmise that George Washington's intestine is secretly in the Smithsonian where it is studied for its fortitude much the way Einstein's brain was examined for its genius.

Edited at 2009-02-13 09:26 pm (UTC)
dyvyd
Feb. 14th, 2009 01:07 am (UTC)
Once again the rush to publish leaves this self-editor at the mercy of his dislexia, failing to put the third T in the anagram.
Oh, well, since George famously does not have a middle name, I suppose I can put the T in as nickname earned at the Battle of Trenton: George "Trenton" Washington. Thus, lamely we get across the Delaware of our inadequacy.
( 2 comments — Leave a comment )
Cydonia photo: ESA

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